So...... The always evolving and fascinating, Wildebeest (Matthew Winn) did a Pink Couch Session at If You Make It a while ago that was recently uploaded. Clocking in at twelve minutes, Wildebeest sings/speaks with a touring guitar, harmonica, a smoke, and a flask. He also has been performing similar long rants with chimes!
Recent Wildebeest MySpace Post News I have published a short story New Reality Competition, and a book of poems Taste Lie Paper. Both are between 30 and 50 pages, cost 5 dollars, and can be obtained by emailing me.
During the month of February o’death recorded with Alex Newport (Two Gallants, At The Drive-In, The Locust) behind the boards. They are sharing the song “Home” from Broken Hymns, Limb & Skin to be released sometime this year on their MySpace site.
“Home”, starts off slowly. The chorus of / home, home the air I breath / scaffolds and rises to break through, and breakthrough it does! Listen here.
I am looking forward to seeing two favorites, Ramona Cordova and Francois Virot in New York on July 1, 2008Venue TBA........
repost of bulletin below......
REST IN PEACE FRIDO -- 21 JUNE 2008Frido Korea, bless his little heart, passed away the other night before the Madison show.yes, the truck is dead.I'll be continuing the tour by public bus and some help from friends...François is not going to make it for the Canada shows, Burlington Vermont, or Biddeford Maine. He might meet up in Albany to continue the tour through the end, or it might just end up that he plays Cambridge, Baltimore, Philadelphia, and New York as his last four dates.let see!
See and hear how awesome they are!!
Multi-media artist /composer Laurie Anderson said to graduates at RISD, “I can’t think of a better time to be starting out as an artist." Her inspirational commencement speech touched on her unconventional journey as an artist. She shared some survival strategies with the graduates. Communicating that working beyond conventional boundaries and taking risks helped her to invent and reinvent herself at every turn. Including her stint as the first and only artist in residence for NASA.
Anderson suggested that the artist could reach a wide audience today using great digital tools and do it without being aligned within an institution, collection, or corporation. With that in mind, the question of ethics and responsibility was brought up to ponder.
She quoted the first paragraph of George Trow’s book Within Context of No Context and then wove its premise, the “size of the con” from a social, cultural, and political perspective. Examining the power of the media to spin its own reality, she posed provocative questions, giving the listener a chance to weigh in cerebrally; “You have inherited a story-savvy government, one willing to use spin and multimedia to tell its stories. So what are the true stories?”
"Wonder was the grace of the country. Any action could be justified by that: the wonder it was rooted in. Period followed period, and finally the wonder was that things could be built so big. Bridges, skyscrapers, fortunes, all having a life first in the marketplace, still drew on the force of wonder. But then a moment's quiet. What was it now that was built so big? Only the marketplace itself. Could there be wonder in that? The size of the con?" George Trow
"Artists really do see the world from a very different point of view", she went on to plead her case for the artist-in-residence program at NASA to be reinstated. Making a broad assertion of the possibility of the artist in residence in Congress, the Supreme Court, and the White House. "There is a Department of Defense, Department of Health and Welfare. How about a Department of Art?"
I felt the need to share her words with anyone inventing their destiny through creative endeavors. More than ever, our world needs talented individuals who can disseminate, unravel, and envision new possibilities for the world. The time for her questions is appropriate now.
Something to Ponder! "The work of television is to establish false contexts and to chronicle the unraveling of existing contexts; finally, to establish the context of no-context and chronicle it." George Trow
Radio Woodstock and Warren Haynes present the Mountain Jam 1V from May 30th to June 1, 2008.
Just wanted to give a shout-out to the talented and awesome band Sgt. Dunbar and the Hobo Banned. They won the Mountain Jam competition and were chosen to open on Saturday, May 31st, on the west stage at 12:00 PM for a half-hour set.
Sgt Dunbar's nine players boast a crazy array of instruments: guitar, accordion, trumpet, trombone, flugelhorn, French horn, drums, mandolin, saxophone, violin, ukulele, singing saws, banjo, bass, typewriter.
Their passionate folk styling has a kind of sloppy gypsy jug band feel with full brass and awesome auxiliary detailing from the singing bow to the typewriter. Don’t be fooled this band of hobos can play and each member is a multi-instrumentalist.
Watching the constant instrument rotation is part of the fun, but the full-bodied charm of the sound they create is delightful. They are DIY all the way and truly live by and play by the rule of the music community. They Share!! Myspace B3neson Recording Company New Release: The Thing About Time on Itunes
The formidable husband and wife photography team Crackerfarm creates work that is cutting edge and passion directed in all areas of their domain.The essence of Crackerfarm is their fine art. Whether they are creating commercial work in music portraiture, fashion, music video or fine art photography, their aesthetic framework scaffolds seamlessly.Featured on the Crackerfarm website is an intriguing photo series of masked individuals posed stoically in a variety of settings. It is simultaneously unsettling and humorous. The individual subjects identity is hidden and therefore altered presenting a visual play. The internal identity and branded identity intertwine and form a contextual perception. Other photos juxtapose inanimate objects to construct a forbidden territory of taboo and edgy affectation.
In the field of music, most notable is their photographs and videos of Langhorne Slim and the Avett Brothers that follow both groups journey from grassroots to their rise to the national stage. Producing work out of passion and love has derived superb results. While their photographs are provocative, they also beckon the viewer with their humanity and warmth.
Their more recent entry into the world of music video and music film documentation is a welcome addition. Crackerfarm’s "EPK" of the Avett Brothers is a production that was assembled with snippets from their ongoing full-length documentary. It combines the grainy quality of old reel-to-reel film footage with a warm afterglow seen in vintage Photographs. They lovingly intersperse color shots with black and white without sacrificing the overall sensibility. Crackerfarm’s more impromptu footage of Langhorne Slim and the Avett Brothers create an authentic moment in time. The viewer doesn’t sense the camera. It is deliberately there to capture. It is what the eye sees from a certain point of view but specifically it is what Crackerfarm sees.
The impact of the Crackerfarm aesthetic will continue to contribute to the world of art and music and broaden our perception with their artistry.
Interview: OC Educational background? How did you meet? CF In Ohio, I went to vocational school for photography my junior and senior years of high school in photography. I moved to New York for college after that. I went to SVA... that's where Mike and I met.
OC In what way does working as collaborative team effect the outcome of your work? CF We have a very similar aesthetic and similar taste overall...our work might be the same if we made things separately.. but we pretty much collaborate in all ways on all the things that we do make.. OC Does it work more like a collaborative negotiation of sorts? CF We really like the same things most of the time, but there is always negotiation...making pictures, and now video, is the thing we agree on the easiest in our relationship I think.
OC Is your art photography a separate entity from your music and commercial work? CF Yes and no..we've always wanted the line to blend between the two and sometimes it starts to blur a little..that's certainly a goal of ours.
OC Does your commercial affiliations whether shooting for Urban Outfitters or going on a music assignment conflict or add to your artistic goals? CF Commercial work is our bread and butter....we think of photography as both art and commerce..knowing how to take pictures is a trade for us sometimes and a meaningful form of expression other times.
OC It seems to me that people hire you for your aesthetic. CF Thanks:).. for the most part maybe they do..but we try to work harder than most and to do it with a good attitude too so hopefully that comes across..
OC Are you ever concerned that becoming commercially successful will effect Crackerfarm's artistic goals? Do you take precautions? CF I would feel happy and fortunate to become successful commercially..it would just allow us more financial freedom to make art or movies...or whatever else, babies?
OC When people hire Crackerfarm, how much control do you have in how your photograghs are represented? CF Again, it sort of depends on the job.. sometimes we have total control and opportunity to see a project through to the end..other times though, we just take the pictures and whomever hired us does the rest...either way is cool with us..
OC Your music photography and video are presentations are obviously your aesthetic but also create iconic images that represent others. Is that aspect important you? Which comes first? CF I think it ends up being very collaborative most of the time...we bring a little and they bring a little and when the interaction is harmonious and awesome I feel like that's when the work is at it's best..That's sorta the ideal situation..
OC What brought you to the music of the Avett Brothers and Langhorne Slim? Is this personal and outside of commercial endeavors?
CF We fell in love with Langhorne the first time we saw him perform..He was sharing a bill with Kimya Dawson and Regina Spektor at Tonic..he stole the show in my eyes. They were all great but I remember being entirely blown away by Slim. That was in 2001 or 2002..We met the Avetts because they hired us to do a photo shoot and we hit it off immediately. We went to see them play that night for the first time at The Living Room and were blown away in the same way that we were at that first Slim show..Both the Avetts and Langhorne are like family to us now..In that way it's extremely personal work because we really care about them as people. The work we do with them is as much about having a really good record of this exciting time in all of our lives as it is about photographing them because we have a career as photographers..if that makes sense..
OC Was music always a passion aside from photography? CF For me it was.my big brother is a musician and since I was a little kid music has been extremely important to me.very cathartic and theraputic...I am not a talented musician however..so I find my ways of expressing my love of music I guess, visually..
OC Langhorne Slim "Rebel Side of Heaven" and the Jamie Lidell "Little Bit Of Feel Good" videos are quite a departure from the videos featured on your site, what does the Crakerfarm team bring to commercial videos, like art direction etc....? CF We have started to venture into that world of motion pictures and it's exciting..those videos are ones that we conceived with the musicians and everything else we did ourselves.. with some help from an awesome team of course..
OC DIY Ethic, the Internet, offering work for free, do you think it leads to opportunities? CF Yes indeed..those have all been important elements of our business growth for sure..very important ones..
OC Do you have future goals about video production and directing as it relates to music, and the EPK of Avett Brothers, is there a documentary in the making? CF Yes we have many projects in the works..we have been shooting an Avett Brothers documentary for over a year now..Our goal is to release it at the same time as their next full length album..dunno exactly when that'll be but we're filming all the while.. We think that this will be an ongoing documentary, the afore mentioned release being the first of a series.
OC Anything I left out that you would like to say? CF Thank you!!!:)
Belated Review: Home at 2:45 up at 6:00 for work. Worth It!
In my other life, I am perpetually late, but not when it comes to going to see live music. So Wednesday night, sitting at the Pink Pony listening to the Clash on the jukebox and savoring my last taste of creme brulee, I was finished stalling. So I ventured around the corner to the Mercury Lounge for Langhorne Slim’s sold-out show. Defiantly too early!
One benefit, I watched the arrival of a slew of important people on a guest list to see the band J. Roddy Watson and the Business. All saying, “I’m on the List.” The back room was filled with about thirty people. The young man on the piano, with his support players on guitar, bass, and drums, was about to give the show of a lifetime, regardless of the statuesque audience. I’ve been to only one other “tryout,” and they are a bit awkward.
J. Roddy, with curly long locks, has a great voice and magnetic delivery of southern rip-roaring rock and roll. I’ve never seen anyone literally hump a piano. I wasn’t sure if the piano stool would slip under him or if the piano would slide across the stage from all the pounding and movement. Leon Russell on meth comes to mind! It was uproariously loud and resurrected the sound of classic rockn’ roll in the highest order. Dated, who cares. Oh soo good! WOXY Session
Hoots and Hellmouth
I was there to socialize and see Langhorne Slim but decided to make a commitment to see Hoots and Hellmouth’s very enjoyable set. The trio of Sean (guitar), Andrew (Mandolin), and Rob (guitar) with the addition of stand-up bass and Bob Beach, a fierce harmonica player.
The set up of two wooden platforms in lieu of percussion offered a muffled stomp beat that worked nicely with the acoustic instruments. Authenticity abounds. Their instruments resonated while the gospelesque roots rock, soulful vocals, and rich harmonies rose to create a surround-sound effect. Hoots and Hellmouth's unpredictable styling provide a marvelous listening juxtaposition with acoustics that are both soft and furious. And when they come on strong, their flowing hair head-bangs to the rhythm, building a joyful experience to watch and hear! Flickr Set
Langhorne Slim and the War Eagles
The lounge was packed for Langhorne Slim and the War Eagles with friends, fans, and those that helped along the way. The long-awaited release had finally arrived. We were all there, including five pals from Bermuda who flew in for the night to wish them well on their first headlining tour across the US.
The set began with Langhorne saying, “I promised myself I wouldn't cry.” This show was a tender affair with guitar tuning incidents and some sweet slim banter. The crowd ate it up and smiled, sweated, danced, sang along, clapped, and stomped to the love fest sendoff.
They worked the crowd up and slowed things down. When Langhorne sang Hummingbird unaccompanied, the crowd enjoyed silence with each heartfelt word. “We Love The Animals” was quite a rollicking affair. I had only heard the acoustic version recently uploaded by Crackerfarm on YouTube. The long set left the audience in a sweaty, smiling frenzy and slim invited some of the audience to join them on stage for a grand finale.
As the War Eagles left the stage, the last song of the night, “Rebel Side of Heaven,” was a bait and switch that worked its magic on the crowd, and was delivered with Slim, guitar in hand, and no mic. During the instrumental, he shyly smiled and said, “here’s my solo, guys.” And then, without the usual soulful swagger, he wittily and sweetly sang the closing line. / We ain’t going to hell / well we’re going to the rebel side of heaven /.
And heaven it was, maybe Slim didn’t cry, but many had tears of joy, including me. A night to savor!
Langhorne Slims Self Titled release on Kemado Records is what I need in my life. All thirteen tracks posses the soulful conduit that that goes to the heart and exhilarating energy that can jump-start the spirit. Times are tough and these finely written songs are a welcome reality.
Langhorne’s signature voice is sweet but on this recording the rough edges reek with soulful timber. It is no surprise that his inspirational music hero is Otis Redding. Bringing this inspiration to fruition is Slims hard guitar pickn’, the duo The War Eagles Paul Defiglia on stand-up bass, Malichi DeLorenzo on drums, with guest player Sam Kassirer on Wurlitzer, piano and accordion. The tuba and trombone are bonus entries.
Combined, create a soulful hoedown, rollicking folk raucous, swaggerific bluesy folkabilly and fierce exhilarating mix. DeLorenzo’s drumming is kick-ass good, his acute timing accelerates to take you higher.Creative treatments by the production efforts of Malachi Delorenzo and Sam Kassirer lend distinct detailing to the sound, like in the song “Sometimes” a distant sequence of noises descend and artful clapping ensues, or the choral ooh ooh's in “Hello Sunshine”. This band is tight and the added textures, sparkle.
The bowing of the stand-up bass is innovatively accented on the first track “Spinning Compass” and zydeco style accordion accompanies the sing-along conclusion. The wit and philosophical leanings kills in “Rebel Side Of Heaven” / though we have sinned / we ain’t going to hell / we’re going to the rebel side of heaven /. The tuba blows as bass accents, the trombones short repetitive styling, humming chord progression of the Wurlitzer, banging piano keys and vocals that relish the sentiment expressed with a giant wink. “She’s Gone” starts with a cool cooing sound. Midway the clink and clank percussion breaks up the song and the soulful screaming, bluesy keys and incredible drumming bring on the great chorus / she’s gone / I’m staying / I’m nobody /. I need to come up for air and then comes Colette….
Colette, Shit this song rules. Slims voice is the best I’ve ever heard it. Slow and steady it slowly comes on. / All I wanted was a song and a close friend/ we stepped into the light and took pictures of each other / some are in black and white / the others in color / . Then it steps up with a soulful exuberance / Here she comes! / Here she comes! / Here she comes! / with accordion right on queue. Expressing new love and the breathless moment of anticipation, wow even I want to see Colette.
The slow and soulful “Diamonds and Gold” is my new mantra. / You can have all the diamonds / you can have all the gold / but someday your still going to get old / you got to learn to get happy along the way /. “Tipping Point” is rootsy folky and rollicking with fast paced zany rappin’, guitar pluckin’ hard-ass stand-up and amazing shuffle drumming. / I got so hung up / I said HI_DE _HO / the tipping point / the tipping point / WOWWW…. In keeping with folk styling “Oh Honey” is aligned with the best folk standards focusing on guitar, bass and vocals. / We must walk alone sometimes but oh honey / won’t you let me be / I just love it!
Ending slow and softly with “Hummingbird”. / I’ve been leaning on you without reason or truth / I’m leaving my demons / and the first one I’m leaving is you /. Well love can pull you through but sometimes you got to go it alone.
Yes I am a fan, but I also have ears that hear and a heart that still can be moved. I’m in love with this collection of songs, they make me happy along the way, and that is a basic necessity. I've seen this group eight times live. Press labels and read more about the hardest working band around!!!! View headlining tour dates on: Langhorne Slim MySpace
If You Make it is a thoughtfully entitled Website that will realize the self-fulfilling prophecy that if you make it, they will come. Dave Garwacke's site features friends who love and make music. He films bands that have created a history, memory, and soundtrack in the lives of a broad music community he has been a part of. Dave has been recording them at shows, in garages, apartments, outdoor festivals, and the special The Pink Couch Sessions. He is creating an archival record of current bands and disbanded outfits to be filed on the Web.
What started out as a simple idea is growing, and although it is a labor of love, it has turned out to be a labor of hard work. Dave’s undeniable web programming talent defies the very nature of his philosophical bent. Despite its best intentions to be a makeshift low-key affair, it has seen a lot of traffic. This is a Web community!
Since its inception If You Make It has gone through many design configurations. Right now, he is settling on its current format, but I suggest don’t get too comfortable. I am sure there will be more changes. The Pink Couch Sessions' quality has stepped up, without losing its downright homey nature. The footage captures the way musicians are rather than just highlighting the music. It presents people true to form. It is as if you, the viewer, are just hanging out, and the music is in your living space. It is close-up and personal and definitely not staged.
One of the most unique things about the site is the music. These bands are not the latest or on anybody's buzz list of up-and-coming bands. They have little web history but are well known within certain music communities, grassroots, word of mouth, and DIY culture.
I am glad Dave took the time and has the ambition of his convictions and wherewithal to know how to present what he loves in the best way possible. This kind of work ethic is unusual for someone who is Twenty-five.
Dave Garwacke's love of music is apparent. I am grateful that he will put forth the time and effort to share this love with all of us.
My interest and affiliation started when I realized Dave was embedding my writing along with the videos he was presenting. His forte is in web development and not writing. So as he started this site I’ve been watching from the sidelines.
Interview:
OC Your background education/web programming combined with a love of music.
DG I went to SUNY New Paltz for Computer Engineering, but the whole time I was teaching myself web design and programming. I worked on a couple of local things, including a website for the house I lived in, which had shows in our basement. A ton of bands came through there, and I saw it as a way to get the word out about shows and document all of the things going on there. Unfortunately, our landlord shut it down when he saw an article in the school paper about it. Afterwards I realized that no physical evidence existed of the things that we did there. When I moved to Brooklyn, I wanted to make sure that sort of thing wouldn't happen again.
OC Philosophical mission of site?
DG I want to expose people to my friend's music through channels that they might not have access to. It's also a fun experiment for me to fool around with.
OC Other possible directions, or wish List for future endeavors.
DG Recently I added in the Pink Couch Sessions which features artists in my Brooklyn apartment performing 2 songs. The next project will be more dynamic and involve artists performing different places in their home communities. Through touring I've seen a lot of communities being sustained by one or two bands that act as parents, fostering new bands and venues into the scene. I want to capture those bands somewhere iconic to them and their community.
OC Affiliation with Plan-it-x (designing their new site) plus other connections to the bands etc.
DG The majority of the bands on the site are my friends, along with the folks from Plan-it-X. A band I'm in, Halo Fauna, is also on the label. I saw that Chris (owner of PIX) needed an update, I mentioned it to him, and got to work on the site. Other than that, most of the friendships were formed through touring and helping other bands with shows at my old house in New Paltz. For Pink Couch Sessions, I usually just shoot people an email when they come into town, or talk to them at the show about coming over afterwards.
OC Is part of your goal to keep the music you love alive and exposed?
DG I worry that bands will break up before people have a chance to get into them. Also the ability to see the band in a show atmosphere adds so much more to the song. When you witness the energy the crowd and artists put in it adds something that you never get from a record. Having the videos online also let's younger viewers, who may not be of show age, keep in touch with bands their into.
OC Any commercial considerations? My philosophy is to expose great music and hopefully help musicians have a viable income from their music without being distracted by other jobs.
DG I'm all about getting help running the site (i.e.; hosting, pr), but I want to make sure that it represents the music first and me second. Hopefully I can get some help from labels that are trying to promote these bands, but the main goal is to help them get attention that may not come naturally. I also had the luck to pick a camera that does an amazing job at recording audio in a live environment. I think it has to do with its lack of bass pickup, which tends to distort other cameras, even ones that cost more. It's a Panasonic GS320, if Panasonic is listening and wants to help a poor boy out.
OC Has your perspective changed since starting the site and realizing the impact it can have on music?
DG I've noticed throughout the course of the site that the videos on it fall into a special niche. They represent a new group of talent that is up and coming on the east coast. IYMI is in a unique situation because it doesn't come off as commercial, or inversely, poorly done. I want to make sure that the videos are of good quality, but don't want to come off as cheesy or exploitive. MTV already exists and it's a flawed vehicle, only pushing music that has been enhanced and misrepresented.
OC Anything else you wish to mention?
DG Some friends with new releases worth checking out; Get Bent (NYC), Tin Armor (OH) and Cheeky (NYC).
So...... The always evolving and fascinating, Wildebeest (Matthew Winn) did a Pink Couch Session at If You Make It a while ago that was recently uploaded. Clocking in at twelve minutes, Wildebeest sings/speaks with a touring guitar, harmonica, a smoke, and a flask. He also has been performing similar long rants with chimes! 
