Avett Brothers "Murder In The City" Video

This is just too good not to share! Another Crackerfarm entry.

MySpace

Sgt. Dunbar and The Hobo Banned; review

Sgt. Dunbar and the Hobo Banned 2007 self-released The Thing About Time is a passionate collection of brass-centric gypsy folk rock featuring a community of spirited voices and an array of instruments that sound like weathered antiques given new life.  This band of nine multi-instrumentalists and counting play the guitar, accordion, trumpet, trombone, flugelhorn, French horn, mandolin, saxophone, violin, ukulele, singing saws, banjo, bass, typewriter. The phenomenal found object percussion of hot water pipes, stainless steel chairs, squeaky glass pot top, and coffee mugs imaginatively enhance the festive atmosphere. The songs fluctuate between intentionally sloppy melding of instruments and cohesive mixing, two distinct but agreeable directions. The large band sound is reminiscent of Bright Eyes touring band during Lifted. It has that kind of a charming mess and endearing qualities. It also reveals the admiration of The Neutral Milk Hotel. Sgt Dunbar and the Hobo Banned is a lyrically smart outfit. The word Banned is cleverly chosen to highlight their culturally rebellious point of view. They weigh in on philosophical issues of life and time. Refreshingly nuanced is the term Wake Up which is repeated in several songs, affirming a commitment to staying awake and being aware. 

The first offering“Passing Time,” starts with a rumbling of guitar strumming, accordion, horns, and Alex Muro’s nasal fervent vocals that plea wake up. / I hear the sound months make when they disappear / gone into air, and only clues remain / that they were ever here / leaf floats freely down and turns into ground /. The full force of the orchestra is revved up as Wake Up, Wake Up is emphasized and harnessed between verses leading to an awesome prolonged lullaby chant, “Dave’s Song,” in the vein of “Hey Jude”. / Wake up / wake up / you can’t sleep all day / you can’t sleep all day/ the sun is out calling your name / the sun is out calling your name /. “Don’t Fall Asleep” is an appeal to those that have given up hope. / Dear little girl / I feel that your sadness is quite profound / chasing you around your mind / no place to hide / is dragging you down /. This song builds in volume and intensity, employing the singing saw to weep and the full chorus to implore / please don’t fall asleep / when you wake the world is a dream /. The song “The Weight” has a plucky bounce using the ukulele, guitar strum, and singing saw to launch a weighty message / some people's shame could fill up the ocean, some people's sadness can block all the sky/ some people's guilt could pave every highway, and some peoples fears makes many men die…then the reaffirming chorus / oh how heavy this gritty grating life / that the world is on / oh how silly is all you strain and strife / build a world so real and strong. “Realism Is The Purest Form of Art” features banjo, lazy horns, and clashing symbols with a pitter-patter beat. While "Telescope" is slower and examines how far you need to look away when love is untrue. / Do you believe in karma / does she believe in you / but what if I told you / that she wasn’t true? / Oh, what would you do? / Both songs exhibit Muro’s vocal range that strains higher to reach sighs of emotion. The under-belly of the beast is urgently felt in the stalwart rants on “Communist Father” with vocal force and added experimental accents that mimic the uncertain future. / Under the brightly blemished blanket of the night / an arrogant anthill with life / while weeping cities shed tears of light / into the unknown vastness of the universe / Sgt. Dumbo and the Hobo Banned recorded The Thing About Time in the living room and basement. 

This homegrown undertaking amplifies the community spirit they embrace and has enabled them to create ambitious and worthy music! B3nson Records CMJ Pete's Candy Store October 21, Brooklyn NY

Drink Up Buttercup; Talent Abounds

No secret, I fucking love this group. My first impression back in May of 07 has not wavered. They are young, fresh, talented, and eager to venture into all creative realms. I like that they are true to themselves with a creative vision for their future. The unbridled energy they bring to the stage extends to other projects. They are in charge! Below is a music video for their UK single “Mr. Pie Eyes,” directed by Virgil F. Cardamone, which is a crazy comic book kidnapping heist and slapstick Russian roulette splashed with graphic zing.

"Mr. Pie Eyes"

I’ve been following two of their member’s videos and side projects. I’m hooked on Farzad’s (Captain Dum Dum) campy pop video called “Fever." Mike Cammarata, Drinkup’s youngest member is quite the thespian. His side project Yemen is a team effort partnered with Yoski Arocki is crazy as it gets. "Broccoli" Video.

Go to Drink Up Buttercup's MySpace site to hear the brand new “Young Ladies” track off LP recorded at American Diamond Recording.

The Lisps, César Alvarez Letter; Dear Sarah Palin

The Lisps band member César Alvarez posted an awesome bulletin entitled "Dear Sarah Palin". His impassioned words give me hope. It is hard to even bring myself to write about or focus on music in this political climate. One of my latest posts reminded touring musicians to register and apply for absentee ballots. I was losing hope until I stumbled upon this bulletin. I think it is worth spreading around. 

Dear Sarah Palin, Thanks for reigniting a culture war. Thanks for turning this presidential contest into a spiraling race to the bottom. Thanks for lying to the American people over and over and over. Thanks for showing us that you don't care if it's a lie as long as it serves your purpose. Thanks for being demeaning and sarcastic and setting a new tone of vindictiveness. Thanks for refusing to take questions from the media or voters for nearly two weeks after your nomination. Thanks for lying about your record on energy. Thanks for lying 27 times (and counting) about your record on the "Bridge to Nowhere." Thanks for lying about your record on earmarks. Thanks for putting out a press release about your daughter's pregnancy and then calling the press sexist when they cover the release. Thanks for degrading community organizers who are some of the hardest working and most selfless people in our country. Thanks for degrading Habeus Corpus, which is one of the most sacred pillars of our democracy. Thanks for completely ignoring and effectively denouncing the idea of the separation of Church and State, which is another pillar of our democracy. Thanks for opportunistically praising Hillary Clinton while cynically denouncing nearly everything she has spent her life working for. Thanks for claiming that "God" wanted you to build a gas pipeline. Thanks for saying that the war in Iraq is "God's work," and invoking the specter of religious violence and holy war. Thanks for plunging Wasilla into millions of dollars of debt and raising the sales tax (which is one of the most regressive taxes there is). Thanks for firing people that don't agree with you and abusing your power as Governor. Thanks for going along with a whole slew of smears and attack ads (many of which are filled with blatant lies). Thanks for lying about selling your state's plane on Ebay and then billing the state for $93,000 in airfare during 2007 for you and your family to fly. Thanks for billing the State for your travel per diem while you were at home in Wasilla more than 30 times. Thanks for lying about Obama's authorship of legislation. Thanks for opposing major legislation for health care, education, and seniors. Thanks for slashing funding for Passage House, which is a transitional home for teenage mothers. Thanks for offering to change Washington, but I think that what you're offering looks much worse than what George W. Bush has already done. Thanks, but no thanks. If we want change in America we'll build it ourselves. Sincerely, César César Alvarez Blog Music Is Free Now

Great Song "I'm Sorry"

Obama Ad Features song from The National

The drums beat time instead of keeping time, reflecting moments captured in thought. They march forward with a steady tin beat and pulsate like a life source. Embedding the instrumental segments of the song "Fake Empire" by The National is the perfect backdrop for this Obama ad. It mimics the pulse of a campaign that has motivated people to organize and work for a cause. The life force of the Obama movement beats on from the grassroots.

Boxer review

o'death Acoustic Crackerfarm style

Crackerfarm's noted videos have their own unique sensibilities. This new video of o'death on a beach in Bermuda playing "Adelita" from their first release Head Home is true to form. Bob Pycior's ravenous fiddle playing is exchanged for a ukulele while David Rogers-Berry squats and beats a washed box ashore with broken branches. A comedy that seriously sounds so good.

                                            The Crackerfarm Aesthetic article and interview

Peasant, Bones Premier Fox

Painting Gauche and color pencil by artifact, me

Peasant's, music will be exposed to a large audience tonight on the season premiere of Fox's television show Bones. The song featured is "Raise Today," which is one of my favorites from his recent release On the Ground. I am not a big television fan but know how important TV placement is for musicians to have a viable shot at making a living. In another music climate Peasant's music would have airplay and immediate traction. So cheers, Peasant on your debut! MySpace My Review of On the Ground *this is the only time I will mention the Fox network (Fox Virus) positively.

Felice Brothers new video tour Deer Tick

The Felice Brothers US headlining tour with Deer Tick. Now that's the kind of line-up I like! Gritty, homespun Ecstasy.

"FRANKIE'S GUN"

The Felice Brothers "Wonderful Life"mp3 The Felice Brothers Daytrotter live sessions free mp3's Weary Men Rejoice, And Drink (words; Sean Moeller) Deer Tick Daytrotter live sessions free mp3's A countryside Of The Gathered And Scattered And Splintered Wood People (words; Sean Moeller)

Viking Moses, Golden Ghost, Wildebeest, Garage Show

The Naideau shows have been a mainstay for the past few summers. This is where music is appreciated garage style. An oriental carpet darn the stage area, and Christmas lights and snow shovels embellish the walls. They book great touring bands and mix it up with local bands and returning musician friends. I missed the host’s new outfit tentatively named "Your Birthday" but was there to hear Sleepwall’s short energetic set. They integrate rock riffs with punk force and have an awesome drummer. Viking Moses and his tour partner Golden Ghost (Laura Goetz) had a nice night at The Cake Shop with the backing of a full band but ended their full summer tour appropriately in a garage filled with music connoisseurs. I, unfortunately, arrived to hear only two songs by Golden Ghost. She plays electric guitar and has a distinctive voice, similar to a softer Joanna Newsome with a bluesy austere resonance. Her experimental song structures meander into the unexpected. I’ve had more time to appreciate her eccentricities in her self-produced Fauna of Mirrors! Viking Moses’ (Brendon Massei) music really appeals to me. Leonard Cohen on crack comes to mind. His low voice can be soft, emphasizing his storytelling, but he brings songs to life with dynamic hard-core vocals that project a Missouri drawl of soulful fervor. Joined by Laura Getz on the keyboard, Brandon played electric guitar fashioning an echoing style of eerie and abrupt leads of striking simplicity. He played mostly new material giving the crowd a first live run-through. I loved a new one he introduced as “Rough Rider.” It had a continuous beat that he induced hitting the electric guitar between leads. When asked for requests, the audience of young, attentive garage huggers was familiar, and he was accommodating. Since age fourteen, Brandon has taken his non-commercial art on the road, going it alone with little financial reward. At age twenty-nine, he retains his youthful exuberance and affirmative spirit to continue his minstrel lifestyle and openness to share music. He reminds me of another beloved troubadour David Dondero. It was great hearing his music for the first time, and I was immediately taken by his authenticity and captivating music. Just can’t shake it. Awesome!

The night continued as Wildebeest started his set, asking all to follow him into the back woods of the property. In the dark, we listened to a 12-minute poetic speak / song rant with guitar picking and harmonica. After catching our breath, he played three great new songs. He took requests but forgot all the words “Living and Dying” from the incredible out-of-print Motion and Language. He luckily remembered “Host and Hostage” and ended with “Animals In the City.”

I wasn’t the only person listening who has savored every release, EP, or demo Matthew Winn puts out. He might have left them behind, but his recordings live on. We were all grateful to hear him. Wildebeest has taken a personal renaissance from touring. His creative growth has only made him stronger as a performer. Flickr

Viking Moses Video!

Golden Ghost Video

Viking Moses is Scheduling dates for a Fall tour to promote his new release, The Parts that Showed, due out before Halloween.

o'death "Lowtide" MP3 Rules

WOW!!!! OK, I knew that o'deaths new recordings from their soon-to-be-released Broken Hymns, Limbs & Skin would be phenomenal, and they are!! With the help of producer Alex Newport, o'deaths amazing live feel is transported with precision and urgency. The authentic quality and robust muscular instrumentation are not lost here. The subtleties on this featured song, "Lowtide" only emphasize the level of intensity that ensues. Proof. Here Recently signed to Kemado Records (North America) City Slang (Europe)